A Foray into Victorian London


Always, for me, finding individuals on the family tree inevitably becomes more about all the events and people giving historical context to a name inked on a dry, old page.  The hope is always that you will come across direct references to a family member, but as that is fairly rare, then something interesting about their residence at the time in which they lived there, or where they worked, and who else of documented note was a part of their lives become the obvious points of attraction.  Many entertaining imaginings about my family members have begun with just the smallest fact or detail.

This past weekend, I found one little morsel of information on a census that quickly became an interesting piece in the massive puzzle of Victorian London.  My great-great-grandmother, Caroline (Ingrams) Sawyer, was listed on the 1891 census as being a servant for Lady Martha Christiana Nottage, residing at 35 Collingham Road, Kensington.  I could not find Caroline's husband, Charles, anywhere on the 1891 Census (and still haven't found his record of death), but assume he had died young and Caroline had to go into service, as she had three children to support.

[Late entry: Charles Thomas Sawyer died 1883, aged 33.]

The next question, of course, after wondering what happened to Charles, was who was Lady Martha Nottage  (who sounds like a character in a P.G. Wodehouse story).  Here the fun begins.  It turns out that she was the widow of a Lord Mayor of London named George Swan Nottage (photograph below).  He died in office in 1885.   Alas, I cannot find any pictures of Lady N., but she died 5 December, 1916.



And even more interesting, George Nottage was the co-founder of the London Stereoscopic Company, which specialized in mass production of stereoscopic photographs, becoming one of the largest photographic publishing companies in the world, sending their photographers all over the globe to take pictures.



The reason this photography connection is of particular interest, is because Caroline's son, also named Charles, my great-grandfather, was a photographer.  He worked for the Medici Society and went around Europe photographing famous works of art for their high-end reproductions.  Did he get his start with the LSC?  Were these two companies connected in any way?  The Medici Society was founded by Philip Lee Warner, and Lady Nottage's family name was Warner.  I will look into that, because that would be quite interesting from our family history point of view if these two Warners were from the same family.

An interesting note about this company: it went into liquidation decades ago, but has since been revived by Brian May, the band member from Queen, who has had a long standing interest in stereoscopic photography (he's quite an interesting character - he also has a PhD in astrophysics that was interrupted by years of touring when the band became successful, and finally completed a few years ago).

Here's more information on the company:

http://www.londonstereo.com/index.html
http://blog.nationalmediamuseum.org.uk/2013/10/26/a-z-photography-l-is-for-london-stereoscopic-company/



Britain Goes to War





A guest blog entry today for a treat: my dear Papa has penned a poignant memoir essay to share with us recounting his experience as a young boy in the dark, opening days of his country at war.  Enjoy.



*


How I Started the Second World War

("The supreme art of war is to subdue the enemy without fighting.” From The Art of War by Sun Tzu)

          I was six when the Second World War started and that day, 3 September 1939, after all these years is still a vivid memory. It was a warm summer Sunday in a new housing development on the outskirts of London where Mum, Dad, six months-old brother Rob and I had recently moved. That Sunday I was in our back garden helping (or, so I believed at the time) my father and other men from the neighbourhood dig a large and deep hole in the dense unyielding London-clay subsoil. It took only a few minutes of my enthusiastic assistance, aided and abetted by my friend Tony, in the ‘big dig’’ before we were told to get out of the way of those slicing through the clay with their shiny steel spades and hurling it skywards to land on the rapidly growing mountain, as it seemed to me, of excavated material. “Go play at the end of the garden”, we were ordered, “You’ll get hurt if you stay here.”
          Tony and I slowly clambered up the ladder out of the deep hole wondering why we couldn’t stay and enjoy playing in the dirt like all the grown-ups. Our scrambling all over the mountain of dirt from the hole didn’t please those sweating excavators either. We were still in their way and adding frustration to their efforts with the lumps of loose clay that our climbing up and down sent back into their hole. Hearing my father’s raised voice brought Mum to the back door and her bribe of a cold glass of lemonade lured Tony and me back into the house.
A little later, just after 11 o’clock, the men stopped digging and gathered in front of our kitchen window to listen to the wireless and hear the Prime-minister’s announcement that Britain was at war with Germany. At the end of the broadcast everyone in the excavation crew all seemed to talk at the same time. “What’s up?” Tony Fahrenbach asked. “Never you mind!” was his father’s sharp accented reply. “Go and play, both of you and keep out of zat hole,” which we promptly did.
It was several days later when the large hole in our back garden was finished including neatly cut steps in the stiff clay from the bottom to the surface. On the following Saturday a lorry drew up to the side of the house. Dad and his friend unloaded the sheets of corrugated steel and stacked them by the hole. “Now what’s going on?” I wondered. Although my parents had tried to explain the purpose of the excavating activity I didn't realize at the time that an Anderson air raid shelter was being built and the full realization came when the structure was completed.


                                                                                                        

As the weeks went by there were periodic air raid drills, day and night, when the wailing of the nearby warning sirens summoned our family to go immediately to the shelter and wait for the “all clear” siren before going back into the house. Not knowing if there would be an actual air raid and what this would be like was a mystery to me and friend Tony, but there was enough excitement for two six year-old boys to speculate.
When the 1939 summer break started we expected to be back in the school again in September. But that wasn’t to be. Our school was commandeered by the army and the children were directed to different locations in the community to get some form of education. A retired teacher lived in one of the houses on our street so Tony, I and four other children visited her weekday mornings where we received some form of instruction, but I’m not sure that we learned anything. What I do remember though is Tony and I and some other boys would frequently hike across the fields to watch the fighter planes take off and land at the nearby R.A.F. Northolt Aerodrome. We learned to identify Spitfires and Hurricanes and watched open-mouthed as they carried out aerial maneuvers overhead simulating attack, defense and low-flying actions in preparation for the Battle of Britain that was fated to erupt in 1940. One of the boys had an older brother who was an R.A.F. pilot and he was able to give us all the “gen” so that we couldn’t wait to see some real live action. What the hell do kids know?



The months of the “phony war” were coming to an end and those in charge were implementing their plans (Emergency Powers Defense Act) to evacuate mothers and children away from the Greater London area to parts of the U.K. that were assumed to be less vulnerable to attack by the Luftwaffe. My father was employed in the construction of airfields, munitions factories and other war related infrastructure. The firm he worked for was contracted to build a new munitions factory in the presumed safety of a town in North Wales so the organization for our big move from the danger of London was underway. I wasn’t happy about all of this, but the choice wasn’t mine. Just before we were due to leave our London home I went to visit my friend Tony to say goodbye and to make plans for when we could be together again. The door of his house was opened by a woman I didn’t recognize who asked what I wanted. “I want to see Tony, please,” I stammered. “Well, ‘e don’t live ‘ere no more,” was the sharp response. “What’s wrong with him? Can I see Mrs. Fahrenbach?” “She ain’t ‘ere niver. The whole family’s gawn. Nar clear orf I’ve got all me unpacking to finish,” she concluded slamming the door in my face.
Running home as fast as I could and bursting into our kitchen I tearfully told Mum that Tony, his mum, dad and little sister didn’t live in their house any more, but I didn’t know where they'd gone. Mum dried her hands, told me to stop crying and to sit at the table. She sat next to me and explained that Tony’s dad was German, that he’d been taken away by the police and put into some sort of prison and the rest of the family had been sent to a camp somewhere in the country. “But he’s done nothing bad,” I protested, “He’s a nice man and Tony’s my best friend.” “I know love, but Mr. Fahrenbach is from Germany and we’re at war so things have changed for everyone.”
I could see that this war business wasn’t going to be as much “fun” as I expected it to be. But what does a six year-old-going-on-seven know?

(“Although our intellect always longs for clarity and certainty, our nature often finds uncertainty fascinating.” From Carl von Clausewitz “On War”)